Dedicated artists are keeping Japan’s ancient craft of temari alive

Category: Human Interest

Listening

Unlocking Word Meanings

Read the following words/expressions found in today’s article.

  1. pass down / pæs daʊn / (phrasal v.) – to give something to someone else, usually from an older person to a younger person
    Example:

    The recipe for the cake has been passed down through generations in their family, making it a special tradition.


  2. kaleidoscopic / kəˌlaɪ dəˈskɒp ɪk / (adj.) – having many different colors, patterns, or changing scenes, often in a way that is constantly shifting or lively
    Example:

    Her dress had a kaleidoscopic pattern, with various shapes and colors blending together beautifully.


  3. heirloom / ˈɛərˌlum / (n.) – a special and valuable item that is kept in a family and given to younger family members
    Example:

    The family heirlooms were carefully stored in a wooden chest to keep them safe.


  4. otherworldliness / ˈʌð ərˈwɜrld li nəs / (n.) – a quality of being strange or different from the usual world, often because of having more connection to spiritual things than to the ordinary life
    Example:

    Jenny wore a bracelet with an otherworldliness to it. It was said to bring good luck and protect her from harm.


  5. successor / səkˈsɛs ər / (n.) – a person who takes over a position or role from someone else, usually after that person leaves or retires
    Example:

    When the manager retired, her successor continued many of the projects she had started.


Article

Read the text below.

At the center of the circle is Eiko Araki, a master of the Sanuki Kagari Temari, a Japanese traditional craft passed down for more than 1,000 years on the southwestern island of Shikoku.


Each ball, or “temari,” is a work of art, with colorful geometric patterns carrying poetic names like “firefly flowers” and “layered stars.” A temari ball takes weeks or months to finish. Some cost hundreds of dollars (tens of thousands of yen), although others are much cheaper.


These kaleidoscopic balls aren’t for throwing or kicking around. They’re destined to be heirlooms, carrying prayers for health and goodness. They might be treasured like a painting or piece of sculpture in a Western home.


The concept behind temari is an elegant otherworldliness, an impractical beauty that is also very labor-intensive to create.


“Out of nothing, something this beautiful is born, bringing joy,” says Araki. “I want it to be remembered there are beautiful things in this world that can only be made by hand.”


The region where temari originated was good for growing cotton, warm with little rainfall, and the spherical creations continue to be made out of the humble material.


These days, temari is getting some new recognition, among Japanese and foreigners as well. Caroline Kennedy took lessons in ball-making when she was United States Ambassador to Japan a decade ago.


Araki has come up with some newer designs that feel both modern and historical. She is trying to make the balls more accessible to everyday life—for instance, as Christmas tree ornaments. A strap with a dangling miniature ball, though quite hard to make because of its size, is affordable at about 1,500 yen ($10) each.


Today, only several dozen people, all women, can make the temari balls to traditional standards.


“The most challenging aspect is nurturing successors. It typically takes over 10 years to train them, so you need people who are willing to continue the craft for a very long time,” Araki said.


“When people start to feel joy along with the hardship that comes with making temari, they tend to keep going.”


This article was provided by The Associated Press.


Viewpoint Discussion

Enjoy a discussion with your tutor.

Discussion A

  • How important is it to preserve traditional crafts like temari in today’s modern world? Do you think traditional arts can remain popular in today’s fast-paced, digital world? Why or why not? Discuss.
  • The concept behind temari is an elegant otherworldliness, an impractical beauty that is also very labor-intensive to create. Do you think something can still be valuable if it has no practical use like a temari ball? Why or why not? What are some examples of things that are beautiful but not necessarily practical? Why do you think people still buy and keep such things? Discuss.

Discussion B

  • Araki says that the most challenging aspect of making temari is nurturing successors. Why do you think it’s difficult to find successors to continue making temari balls? What types of jobs or activities do you think people prefer today (ex. something practical, something that is easy to do)? Discuss.
  • What do you think motivates someone to spend weeks or months working on one piece of art, like a temari ball? How do you think communities can encourage young people to learn traditional crafts and skills (ex. teach them in school, highlight their importance)? Discuss.